Fiber becomes form.
Drag to reveal
Texture as
primary language
Every commission begins at the loom — warp threads set by hand, weft built row by row over weeks. The surface you see is the accumulation of thousands of decisions, each one made in silence.
Indigo warp — hand-dyed, natural resist
Merino pile — hand-knotted at 80 knots per square inch
Raw linen — Belgian, unwashed
"Each thread chosen for what it does in light."
Largest commission to date
Typical production timeline
In private & institutional collections
Soft architecture
in living spaces
Sediment I
Private residence, West Village, New York
6 × 8 ft — Indigo & natural merino
Threshold
The Arlo Hotel, Chicago
9 × 12 ft — Raw silk, wool, linen
Quiet Ground
Hauser & Wirth, Los Angeles
5 × 7 ft — Plant-dyed cotton, mohair
Weeks of silence
made visible
Every tapestry is woven on a 60-inch Macomber floor loom. No digital jacquard, no power assist. The warp is set by hand, the shed opened by foot, the weft beaten home by eye.
Warp density
8 epi — merino singles
Draft sequence
Twill, 4-shaft variation
Color source
Indigo vat, plant extracts
Loom type
60″ Macomber floor loom
All colorwork uses plant-based dyes, iron mordants, and natural resist processes. No synthetic pigments.
36 pages of process, material studies, and installed commissions.
Tell me about
your space
A commission begins with a conversation about the room — its light, its proportion, the feeling you want it to hold. From there, I develop a material proposal and sample before a single thread is set on the loom.
"The best commissions come from people who know what silence a room needs."
Conversation
We discuss the space, the light, and the feeling you are after.
Material Proposal
I send a written proposal with material samples and a color study.
Production
8–16 weeks at the loom, depending on scale and complexity.
Installation
Delivered and installed with hanging hardware included.